Here is a little history of music in the early Catholic Church |
The Catholic Encyclopedia: "The first Christians were of too spiritual a fibre to substitute lifeless instruments for or use them to accompany the human voice. Clement of Alexandria severely condemns the use of instruments even at Christian banquets . . ." (X, 651). "For almost a thousand years, Gregorian chant without any instrumental or harmonic addition, was the only music used in connection with the liturgy" (X, 657). |
The New Catholic Encyclopedia: "The rejection of all musical instruments for Christian worship is consistent among the Fathers [early Christian writers]. They were associated with pagan, orgiastic rites" ("History of Sacred Music", X, 106). |
Voices and Instruments in Christian Worship, published by The Liturgical Press: "From the standpoint of ritual action, liturgical music can only be monodic and vocal. Throughout nearly ten centuries of its history, Christian worship was in principle, and nearly always in fact, celebrated una voce ["one voice"- unanimously] and a capella [without instrumental accompaniment, lit. "as the chapel"]. . . . The abundance and clearness of the texts in which the Fathers of the Church have discussed the questions can leave us in no doubt about the content and firmness of their teaching: musical instruments are to be excluded from the worship of the New "Alliance" (142, 150). |
The Wycliffe Bible Encyclopedia: "There is no record in the NT of the use of instruments in the music worship of the church. In this regard, early believers followed the practice of the Hebrew synagogue music" ("Music", 1163). John Giradeau, professor at Columbia Theological Seminary (Presbyterian USA): "The church, although lapsing more and more into defection from the truth and into a corruption of apostolic practice, had no instrumental music for 1200 years . . . The Calvinistic Reformed Church ejected it from its services as an element of Popery [Catholicism], even the Church of England having come very nigh to its extrusion from her worship. It is heresy in the sphere of worship . . . The historical argument, therefore, combines with the Scriptural and the Confessional to raise a solemn and powerful protest against its employment" (Instrumental Music, 179). |